THE COWGIRL. DIRECTOR / WRITER / EDITOR

LO-FI CRAFT MEETS

HI-FI TECHNOLOGY

CLIENT. PLUME FILMS & RACQUET STUDIOS

BRIEF. Create a short film that would showcase the creative potential of virtual production, not as a technical demo, but as a cinematic story. A film that would feel personal and tactile, while using cutting edge technology.

APPROACH. The story itself acts as a metaphor for growing up with autism, using imaginative worlds to reflect the symbolic journey of the main character. As writer and director, my role was to develop a story that could naturally connect the different visual worlds we wanted to build; from deserts to cardboard cities.

The result was The Cowgirl: the story of a young girl who confronts the cloud that haunts her, in a world she’s built from cardboard and papier mâché.

A young boy wearing a cowboy hat and a red jacket with a cartoon dragon pattern, standing at night in front of colorful blurred city lights.

WATCH THE FILM

We combined virtual production on Racquet’s LED stage with motion capture and 3D scans of the actor to blend live action and CG. 2D animations, integrated both into the VP environments and later in post, gave everything a handmade feel.

To make that world feel like it came straight from the character’s imagination, the team at Plume Films hand built every prop and set from paper, card and glue.

These handmade creations were then 3D scanned and brought into Unreal Engine 5 by Racquet Studios, turning craft into fully realised virtual worlds.

OUTCOME. A visually rich, emotionally grounded short that mixes craft and innovation in equal measure.

The Cowgirl shows how virtual production can be used for poetic storytelling, creating worlds that feel handmade yet limitless.

The film now acts as a flagship for both studios, proving that technology can serve creativity, not overshadow it.

A film slate, also called a clapperboard, resting on top of a metal case and wooden surface. The slate has the film title "The Cowgirl" and scene number 1, shot 1, take 1, with director Chris Lewort and director of photography Rob Wilton. The date is March 25.

Interested in working together? Get in touch.